The name “Design Without Borders” refers to the internationality of the project, European cohesion, regional dialogue, with a particular emphasis on interoperability between different artistic disciplines and themes, and intergenerational dialogue. The works on display include mass-manufactured products, small-batch furniture and accessories, prototypes, experimental pieces, unique works on the borderline between design and fine arts, design and science, fine art, eco- and socially-conscious projects.
The exhibition features a separate unit for bentwood furniture: specifically the landmark brand Thonet, its 184-year history and its major role in the present day; a selection of László E. Szabó’s furniture collection and a taste of the technology’s latest examples. The Church Hall apse houses a series of digital prints by 20 textile designers, reflecting on the works of contemporary composers, in connection with the Transparent Sound Festival's CentriFUGA project; and a diverse international contemporary jewellery selection.
The exhibition is complemented by a rich programme. As part of this tradition, the day after the opening is the exhibition's professional day, during which participants can give 10-minute presentations in English, which can be followed in person and online.
The curatorial guided tours provide behind-the-scenes secrets and deeper insights into the selection.
To reinforce the all-arts experience, the 3,2,1 classical music mini-festival takes place for the fifth time this year, focusing on works by Polish composers – in line with the Polish focus.
Detailed information about the programmes will be available under the website's Programmes tab after 20 September.
Founding curators: Szilvia Szigeti, textile artist, and Tamás Radnóti, interior designer.
